Nightglass

Odalys came to me with one reference image — condensation on glass lit from behind — and a two-day shoot window before the greenhouse location was demolished.

We built the entire lighting plan around available structures: growers' lamps re-gelled amber, and a single moving fog line to catch practicals through broken panes. The grade pushes shadows toward a desaturated plum rather than true black, which reads warmer on phone screens where most of the video's audience watches.

Premiered on the artist's channel and picked up by a regional music blog's "video of the week" feature.